There are no panels here, and each page is a full illustration. Actually, many pages have no illustrations at all, and are left blank, giving the book a unique pace, with certain images provided a space to breathe over a two-page spread. Printed in two colors (red and brown), there is a sleekly jazzy line at work throughout that gives the images a bouncy feeling. Blanchet also uses negative space far more convincingly than other cartoonists. His layouts are spare and uncluttered, which has the function of amplifying what is on the page
Friday, September 6, 2013
Pascal Blanchet > La Fugue
There are no panels here, and each page is a full illustration. Actually, many pages have no illustrations at all, and are left blank, giving the book a unique pace, with certain images provided a space to breathe over a two-page spread. Printed in two colors (red and brown), there is a sleekly jazzy line at work throughout that gives the images a bouncy feeling. Blanchet also uses negative space far more convincingly than other cartoonists. His layouts are spare and uncluttered, which has the function of amplifying what is on the page
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