Thursday, January 24, 2013

Avishai Cohen

Avishai Cohen (born April 20, 1970 in Kibbutz Kabri, Israel) is an Israeli jazz bassist, composer, singer and arranger.
Avishai grew up in a musical family at Kibbutz Kabri, Northern Israel. He began playing the piano at 9 years old, but changed to the bass guitar at the age of 14, inspired by legendary bassist Jaco Pastorius. Later, after playing in an Army band for two years, he began studying upright bass with maestro Michael Klinghoffer. Two years later moved to New York City, and got in contact with other jazz players. At the beginning of his stay there he had to struggle, working in jobs like construction. According to him his first year there was the most difficult year of his life, having to play bass in the streets, subways and parks. He studied music at Mannes College The New School for Music, and after playing Latin jazz in a few bands in his student years, Cohen was approached by pianist Danilo Pérez to join his trio.

After a long period of performing in small clubs, Cohen got a phone call from the jazz pianist Chick Corea and was given a record contract. In 1996, he became a founding member of Corea's sextet Origin, and his first four albums as a leader were subsequently released under Corea's Stretch label Cohen performed in Corea's bands until as late as 2003, when he left the Chick Corea New Trio and started his own record label; he currently performs with his own group, the Avishai Cohen Trio (with New Jersey's Mark Guiliana on drums and Israel's Shai Maestro on the piano). His later albums have been released by this formation with extended lineup including wind instruments.

Avishai Cohen, Moers Festival 2008
Aside from Corea, Cohen has accompanied, recorded or performed with several noted jazz figures such as Bobby McFerrin, Roy Hargrove, Herbie Hancock, Kurt Rosenwinkel, Nnenna Freelon and Paquito D'Rivera.  Other collaborators include Claudia Acuña (Wind from the South, 2000), Alicia Keys (studio recording) and the London and Israel Philharmonic Orchestras (concert performances). Cohen has been cited as "undoubtedly the most successful" of Israel's jazz exports by The Jerusalem Post, a "jazz visionary of global proportions" by Down Beat, one of the 100 Most Influential Bass Players of the 20th Century by Bass Player magazine, and "a great composer" and "a genius musician" by Chick Corea himself.

In 2002, Cohen founded his own record label, Razdaz Records, and on September 9 of 2003, released his label's debut album, Lyla. "I've always been interested in several genres of music, including jazz, rock, pop, Latin and funk," says Cohen. "I'm always packed with ideas. I decided to start my own label because I'm involved in so many different projects." (Avishai Cohen, 2003) At the time of 2012, the label has produced 12 albums, five of which are of Cohen's. Other artists associated with the label include Sam Barsh, Saxophonist Jimmy Green flutist Ilan Salem, and guitarist Amos Hoffman. Also produced by Razdaz are the works of some of Cohen's associates such as drummer Mark Guiliana,who performed with Cohen in two of his albums. Razdaz produced an album for Guiliana'a band HEERNT in 2006. Razdaz also produced 'Lady of The Forest’, the first album of the singer Karen Malka in 2010, who had been touring with Cohen for three years prior. The most recent production of the label is Ilan Salem's album, 'Wild', which is actually Ilan's third album, though it is his first under Razdaz.

Avishai Cohen Eastern Unit in Kiev, Ukraine, 2008
Cohen's signature sound is a blend of Middle-Eastern, eastern European and African-American musical idioms.  The New York Times describes his 2006 album Continuo as conjoining "heavy Middle Eastern groove with a delicate, almost New Age lyricism".

Saturday, January 19, 2013

The Music Village_Το Μουσικό Χωριό

arTree, a society for musical expression, in collaboration with EKPOL, the Municipality of Artemida and the people of Agios Lavrentios, will be organizing “Music Village” for a 7th  year in a row.

This event aims at pre-scheduled and spontaneous performances of musical ideas and the productive exchange of ideas and projects among artists of diverse nationalities.

At the same time, it offers sixteen workshops/masterclasses for group activities, which will be co-ordinated by artists/musicians of international calibre in the area of contemporary or historical performance and creation. The themed sections of each workshop will function integrally and will intend to approach musical art broadly, yet effectively, whilst putting particular emphasis on original and unconventional areas that have not yet been integrated into the Greek educational system.

The above-mentioned activities will take place in a centuries-old venue of historical importance, where high aesthetics are not only reflected in the local architectural style of Pilio, but are also apparent in its special natural surroundings. During their sojourn, the “temporary” residents of “Music Village”, as well as acquiring the desirable knowledge, will also have the opportunity to participate actively or passively in numerous music performances that will take place in houses and courtyards of the village and in piazzas and forest clearings. They will also have the chance to take part, together with their instructors, in walking tours / excursions and take appropriate musical instruments along. Finally, they will enjoy accommodation in traditional hostels in the village and will taste the cuisine of Pilio and the celebrated “ritual tsipouro drinking sessions” at the central village piazza.

As coordinators of this newly established music community, we invite you to take part, actively or as visitors. Rather than falling into the typical traditions of a closed circle festival or a touristic fete, we intend to establish a creative symbiosis among artists, music lovers, locals and the natural environment and hope to create an institution that will reinforce both creativity and human relations.

Το Μουσικό Χωριό στον Άγιο Λαυρέντιο Πηλίου είναι μία από τις μεγαλύτερες μουσικές κοινότητες στην Ευρώπη, ένας θεσμός ελεύθερης ανταλλαγής μουσικών ιδεών και πρωτότυπων εκπαιδευτικών μοντέλων διαμέσου της μουσικής πράξης. Το πρόγραμμά του είναι ανοιχτό, καινοτόμο και πολυσυλλεκτικό, χαρακτηριστικά που δένουν απόλυτα με τη Στέγη η οποία επέλεξε να στηρίξει αυτή τη μουσική κοινότητα φιλοξενώντας ένα τριήμερο φεστιβάλ ήχων από τον Μεσαίωνα μέχρι το αύριο, με συναυλίες, διαλέξεις, προβολές και εργαστήρια, με τη συμμετοχή δεκάδων μουσικών.